
Louis Sognot
1892–1970
French designer who went from aluminium and chrome between the wars to rattan after it, and made the second look like the more radical move.
Audoux and Minet opened in Cannes in 1929 and moved to Golfe-Juan, next to Vallauris, in 1942, into the stretch of coast where Picasso and the Vallauris potters were working. They sold from their own shop and used no dealers, which is part of why the record on them is thin.
The work is consistent: frames in oak or beech, often with legs and arms cut from one continuous member, then wound in abaca rope or raffia in a checkerboard or open mesh. Mirrors, benches, chairs, stools and lamp bases all get the same treatment.
Rope is the condition question and the pleasure of the thing. It fades from gold to grey, frays at the corners and slackens, and buyers generally want that rather than a rewind, since new rope reads bright and flat against old oak.
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Marks, editions, patina and production partners — fact-checked for this designer.