The Circa EditThe Modernist Garden: 12 Pieces We Would Live With
Twelve lots from Escape to the Modernist Garden, chosen for what they do to a real terrace rather than for what they would fetch.
Malaval trained as a welder and built a business on a material nobody else wanted: perforated steel sheet left over from wartime munitions work. From the mid 1940s he pressed and folded it into chairs, benches, tables and litter bins, aimed at municipalities and priced so a town could afford them.
The furniture ended up in French public gardens and on private terraces in quantity, produced by Bloc Métal into the 1960s. The Radar armchair, from around 1948 to 1950, is the form most often cited. Everything is drilled, so it drains, dries and stays light enough to move.
Almost nothing biographical about him is documented, not even his dates. What survives is the furniture, usually several municipal repaints deep, and a perforation pattern that turns a bench into a screen when the sun is behind it.
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Marks, editions, patina and production partners — fact-checked for this designer.